Alabama Shakes, Sound & Color – They are on my must-see-live list. This album is strong, top to bottom.
Action Bronson, Mr. Wonderful – This one just kept growing on me. Bronson’s adept verbally, and mixes a standard street vibe with some smarter-than-you-might-expect lyrics.
The Do, Shake, Shook, Shaken – Olivia Merilahti’s beautiful voice delivers, and the production backing her is more interesting than it might initially appear. I haven’t enjoyed an electronic pop album this much since Postal Service’s Up.
Girl Band, Holding Hands With Jamie – Girl Band’s 2015 EP, The Early Years, makes an appearance in my honorable mentions below, as well. What can I say? This kind of noise rock is right in my wheelhouse.
Heartless Bastards, Restless Ones – Erika Wennerstrom’s voice immediately captivated me when I first heard 2009’s The Mountain. But what keeps me coming back is the evolution of these Bastards, how they aren’t satisfied to keep making the same album over and over. I didn’t love 2012’s Arrow although it was decent. Restless Ones is a home run, arguably the best album I heard in 2015.
Houndmouth, Little Neon Limelight– Thanks to White Reaper and Houndmouth, Louisville had a pretty good year in 2015. These roots rockers follow their solid 2013 debut, From the Hills Below the City, with an even stronger sophomore effort. One of my goals in 2016 is to see Houndmouth live.
July Talk, July Talk– These Canadian rockers manage to balance a bluesy rock sound and Peter Dremaneis’s low, raspy voice with a lighter, poppier feel, largely provided by co-vocalist Leah Fay.
Kendrick Lamar, To Pimp a Butterfly– An album that’s actually worth all of the rave reviews its received throughout the year.
Sleater-Kinney, No Cities to Love – It is awesome to have these ladies back. I was privileged to see them live in Indy, and I’m hoping maybe they’ll hit some festivals in the Midwest next summer so I can catch them again. Punk rock that seems to be louder than the sum of its parts.
Young Fathers, White Men Are Black Men, Too – I get bored with hip-hop artists pretty easily. I don’t care what car rappers drive, what over-priced alcohol they drink or how many bitches they have. I grew up in the era of A Tribe Called Quest, De La Soul, Public Enemy, Paris, Boogie Down Productions, The Jungle Brothers, Das EFX, etc. I want some goddamn substance. Young Fathers not only provide that, but their production sounds not at all like the repetitive beats that flood the airwaves.
On the bubble: Girlpool, Before the World Was Big; Dead Weather, Dodge & Burn; No Joy, More Faithful; Pale Honey, Pale Honey; White Reaper, White Reaper Does It Again
Honorable mentions: A Place to Bury Strangers, Transfixiation; Ryan Adams, 1989; Courtney Barnett, Sometimes I Sit and Think and Sometimes I Just Sit; Girl Band, The Early Years; Elle King, Love Stuff; Miguel, Wildheart; Motorhead, Bad Magic; Tunde Olaniran, Transgression; Torres, Sprinter; Wolf Alice, My Love is Cool
Alabama Shakes, Sound & Color – There’s no weak sauce, from track the first to track the last. Wish I’d caught them in Indy this summer, because they’re most definitely on my “must see” list.
Dead Weather, Dodge and Burn – Maybe the best thing Jack White’s done since the end of the White Stripes. He sounds energized, and the Dead Weather sound stronger because of it.
The Do, Shake, Shook, Shaken – It’s just a great mix of electronic pop, moody lyrics and the gorgeous voice of Olivia Merilahti.
Heartless Bastards, Restless Ones – I like a band that keeps evolving. Restless Ones is a step beyond any of their previous albums.
Houndmouth, Little Neon Limelight– These Kentucky rockers keep picking up steam. Nice to see them get broader recognition.
July Talk, July Talk– Visceral blues rock with pop touches. They put on a terrific live show.
Kendrick Lamar, To Pimp a Butterfly– Kendrick is the only mainstream rapper I have any interest in, because Kendrick is the only mainstream rapper with something to say.
No Joy, More Faithful– High-quality stoner rock that would be more comfortable in the mid-1990s than the mid-2010s.
Sleater-Kinney, No Cities to Love – Going to see them for the first time in December. Can’t wait.
Young Fathers, White Men Are Black Men, Too – White Men Are Black, Too, takes hip-hop to new strange, interesting places, and might even be better than To Pimp a Butterfly.
On the bubble: Action Bronson, Mr. Wonderful; Girlpool, Before the World Was Big; Pale Honey, Pale Honey; White Reaper, White Reaper Does It Again
Honorable mentions: Ryan Adams, 1989; Courtney Barnett, Sometimes I Sit and Think and Sometimes I Just Sit; Girl Band, The Early Years; Elle King, Love Stuff; Miguel, Wildheart; Speedy Ortiz, Foil Deer; Torres, Sprinter; Waxahatchee, Ivy Tripp
Anonymous, Desaparecidos – My favorite lyric of the year: “Freedom’s not free / Neither is apathy.” Payola is one of the better political albums I’ve heard in a few years.
Better Man, Leon Bridges – Cool, smooth, classic-sounding soul music.
Can’t Keep Checking My Phone, Unknown Mortal Orchestra – This disco funk track is addictive, the chorus easily embedded into your head so you’ll be singing it to yourself the rest of the day.
Chalk Snake, No Joy – No Joy turns up the distortion and pays little mind to traditional rock songwriting expectations. Chalk Snake twists and contorts, fading away in a trail of feedback.
Cherry Bomb, Tyler, the Creator – I have yet to be convinced of his ability as a lyricist, but Tyler’s ear for production is unlike anyone anywhere near the mainstream of hip-hop and few are as daring as he is willing to be.
Dirty Harry, Grace – The dragging tempo and the wavy synth sound that appears-disappears-reappears helps make it, but what really is the cherry on top is Grace’s ability to work over the top of the minimal musical backing.
Dreams, Beck – Aah. Now I feel better. Instead of dreary Beck making numbing, down-tempo tunes that don’t compare with similar offerings such as Mutations or Sea Change, we get Beck getting his groove on. The world is right again.
Gwan, The Suffers – Sounds like it could have been a Tina Turner B-side in 1972. The tempo is relentless, and Kim Franklin’s powerful voice drives the band.
Go Head, Awreeoh – I’ve been looking forward to the film Dope. This song, from the soundtrack, only heightens the anticipation.
Handsome, The Vaccines – Cheeky, fun pop punk. The video captures the spirit of the track.
Hate Street Dialogue, The Avener feat. Rodriguez – The song has a real bounce to it, but the lyrics are much darker than the music backing it would imply.
Holy Ghost, A$AP Rocky feat. Joe Fox – Combination prayer and cry of rage, A$AP attacks the ignorance and corruption he sees everywhere, including those foul acts committed in the name of Jesus.
How Could You Babe, Tobias Jesso Jr. – A simple, gorgeous, heartfelt piano ballad.
I’m Callin’, Tennis – Smooth and low-key, I’m Callin’ works for the party or for the comedown after the party.
Institutionalized, Kendrick Lamar feat. Bilal, Anna Wise and Snoop Dogg – Kendrick drops knowledge about income inequality.
Johnny Delusional, FFS – I’ve never been big on Franz Ferdinand, but the child of the 1980’s hiding deep down inside me loves the new wavieness of this track.
Lawman, Girl Band – I love bands that aren’t afraid to make noise. Lawman is about as good as noise gets. That big, fat, fuzzy, drony bass sound holds it down while everything else swirls around it until the sound explodes all over the place.
Milkman, Bully – This song probably has as much in common with the catalogues of Sebadoh and L7 as it does anything in the modern rock scene.
Paper Girl, July Talk – The bluesy, raw sound of July Talk comes off even better live, as do the antics of Peter Dreimanis and Leah Fay.
Pedestrian at Best, Courtney Barnett – There’s just no one quite like Ms. Barnett and her smart, goofy, melancholy, endearing, stream-of-consciousness lyrics.
Rain or Shine, Young Fathers – I’ve fallen in the love with these guys the past few years. They’re most definitely not content to follow the hip-hop crowd. Rain or Shine is just one piece of evidence supporting that claim.
Strange Hellos, Torres – There’s a PJ Harvey-ness to this track that attracts me. I love how Strange Hellos builds and how the song draws its strength from Mackenzie Scott’s growling voice.
This World is Not My Home, Robert Earl Keen – Keen’s voice is perfect for this nugget of bluegrass gospel.
Trustful Hands, The Do – There are three or four tracks off Shake, Shook, Shaken that I could have chosen for this list. There’s just something warm, familiar about this track that gets me every time.
Uptown Funk, Mark Ronson feat. Bruno Mars – This track would work just as well in 1975 as it does in 2015. Bruno was the perfect choice to sing Uptown Funk, and the horns are spot on.
Honorable mentions:15 Years, Houndmouth; Awake, Snoop Dogg; Baby Britain, Seth Avett & Jessica Lee Mayfield; Bleeder, Ceremony; Blud, SOAK; Blueberry Island, Julie Ruin; Bunker Buster, Viet Cong; City Boy Blues, Action Bronson; Damn Baby, Alpine; Don’t Wanna Fight, Alabama Shakes; Feel Right, Mark Ronson feat. Mystikal; First Choice, Oddisee; Foreign Object, Mountain Goats; For You, Genevieve; Julie, 100 Watt Horse; Kokaine Karolina, Elle King; Man Up, Nikki Lane; Melt Me, Hanni El-Khatib; Only You (Live), Anderson East; Power Man, Camp Lo; Prince of Slackers, Turn to Crime; Railroad, Bela Fleck and Abigail Washburn; Roll Up, The Struts; Solid Gold, Turbowolf; Son of God, Will Butler; Too Much, The Steeldrivers; Vital Signs, Gang of Youths
Courtney Barnett, Sometimes I Sit and Think, and Sometimes I Just Sit– I get caught up in what Barnett does lyrically. The laid-back, stoner vibe musically makes a soft base for harder, more serious thematic moments.
The Do, Shake, Shook, Shaken – The most I’ve loved an electronic pop album since Postal Service’s Up.
Girlpool, Before the World Was Big – This album seemed a bit too … twee at first. I kept waiting for the point where Before the World Was Big would annoy me or wear me out, and it never happened. This smart, stripped down collection has sucked me in.
Heartless Bastards, Restless Ones – Wow. I’ve been a fan for awhile, but none of the Bastards’ previous releases prepared me for this. Less straightforward and a little more diverse than the rest of their catalogue. Wind Up Bird (above) has some terrific, acid-rock guitar work.
Houndmouth, Little Neon Limelight– Kentucky’s finest polish their sound and drop an instantly lovable collection of country rock.
July Talk, July Talk– Last year’s EP was terrific. This year’s full-length is terrific-er. I think I’ve written this before, but it’s kind of like listening to Kylie Minogue and Nick Cave front the Jon Spencer Blues Explosion.
Kendrick Lamar, To Pimp a Butterfly– Kendrick is the only mainstream rapper I have any interest in. Part of that may be because he’s the only mainstream rapper who has something more to say than just listing off what expensive swag he owns.
No Joy, More Faithful– Grimy, fuzzy, stoner punk that would have been just as comfortable in the 1990s as it is now.
Sleater-Kinney, No Cities to Love – So, so glad to have them back.
Young Fathers, White Men Are Black Men, Too – To Pimp a Butterfly deserves all of the support it’s received, both critically and from fans. White Men Are Black, Too, takes hip-hop to new strange, interesting places, and – heresy! – might even be better than Kendrick Lamar’s latest.
Honorable mentions: Action Bronson, Mr. Wonderful; Alpine, Yuck; Girl Band, The Early Years; Elle King, Love Stuff; Mark Ronson, Uptown Special; Speedy Ortiz, Foil Deer; Snoop Doog, BUSH; Torres, Sprinter; Waxahatchee, Ivy Tripp
27, Passenger – A 27-year-old takes stock of his life. Witty, intelligent and occasionally sad.
1,000 Deaths, D’Angelo – D’Angelo emerges from his hibernation to drop one of the more interesting discs of 2014. Welcome back.
Avant Gardner, Courtney Barnett – Stream-of-consciousness psychedelic folk. Plus Barnett uses “emphysema” as a verb.
Bad News, Sleeper Agent – Love him or hate him? To be decided …
Blinded, The Bots – Not sure either of these brothers is old enough to drink. They are, however, old enough to kick musical ass.
Come Back Home, Trampled By Turtles – Amp the speed up to ludicrous and belt out top-notch bluegrass tunes. Repeat as necessary.
Dat Sound Good, PRhyme feat. Ab-Soul and Mac Miller – DJ Premier always sound good. Here, teamed up with Royce da 5’9″ and guests Ab-Soul and Mac Miller, the track rolls as the rhymers raise their game to keep up.
Dead Man’s Tetris, Flying Lotus feat. Captain Murphy and Snoop Dogg – I love it when hip-hop experiments. The production is unique and other-worldly, and Snoop lends the most familiar voice in the rap game to ground the track.
Don’t Mess With Me, Brody Dalle – Mrs. Josh Homme cranks out no-nonsense, ballsy rock.
Doses & Mimosas, Cherub – Probably my favorite song of 2014, and definitely not in my wheelhouse. A hedonistic, electro-funk disco kiss off that may be one of the catchiest songs I’ve ever heard.
Eye to Eye, Lee Bains & The Expressions – Soul music, done right.
FUNKNROLL, Prince – Ah, funky Prince sticks his head up again. Feels so damn good.
Guns + Ammunition, July Talk – I keep going back and forth on this one or Summer Dress. These Canadians are responsible for one of the best live shows I witnessed in 2014. Can’t wait to see them again.
High & Wild, Angel Olsen – A swirling haze of distorted guitars wrapped around Angel’s stoned, vulnerable voice.
I Just Don’t Understand, Spoon – Spoon’s always known how to ride a groove, but they upped their songwriting game on 2014’s They Want My Soul.
Indie Cindy, The Pixies – Classic Pixie sound, new Pixie song.
Jolly Fucker, Sleaford Mods – These guys land somewhere between iconoclastic Sex Pistols and Brit hip-hop star The Streets, a mix of UK punk attitude and stoner rap.
Just Another Bullet, Young Fathers – I’m not sure you can really go wrong with anything from Dead, but Just Another Bullet has some of the most interesting production I heard in the past year.
Legs, Chuck Inglish feat. Chromeo – A former Cool Kid teams up with the latest neo-funk stars for a track that should have been banging out of every third car over the course of the summer of 2014.
Like a Mighty River, St. Paul & The Broken Bones – Soul music, effortless and classic.
Little Monster, Royal Blood – Just a bass player and a drummer cranking out thick, deep, melodic metal.
Littlest League Possible, Guided By Voices – So GBV imploded in 2014? Bob Pollard will likely be back with seventy-two albums in 2015, so you won’t get much of a chance to miss the genius of this Midwestern songwriter.
Love You Forever, Jenny Lewis – If only Jenny’s output was at a rate closer to that of Bob Pollard and Guided by Voices. But you won’t hear me complaining about the final product.
Madness, King Tuff – If this was 1983, I’d be calling this “rad.” I’ll stick with that.
The Map, Parkay Quarts – Parquet Courts’ alter ego dropped this little nugget of madness late in the year.
Means to be a Woman, Brother O’ Brother – Bluesy Indiana rock of the highest order.
My Mama Said Be Careful Where You Lay Your Head, The Wind and the Wave – This is one of those songs where the first time you hear it, you’ll be singing along by the second chorus. And by that point, you’ll have already been stomping your feet and clapping your hands through the verses.
My Resignation, Besserbitch – A chewy nugget of punk-pop rage.
New American Standard, Wussy – Sometimes, nice and easy works. This stripped-down rock cut exemplifies that.
Not the End of the World (Even as We Know It), Faded Paper Figures – “Yeah / It’s hard / But it’s not the end of the world / Not even as we know it.”
Oblivious, Jessica Lee Mayfield – Hints of Mazzy Star and Sleater-Kinney. I just love the guitar sound.
Question Everything, Logic – Quit listening to the lies and bullshit and see the truth. #logicforpresident
Raw Milk, Parquet Courts – When I hear Parquet Courts, I think of a lot of good 1990’s bands: Pavement, Sonic Youth, Slint, etc. Courts manage to reflect those influences while crafting their own sound.
Talk to God, Goat – It’s interesting and a bit hypnotic, rock grounded in folk tradition.
Two Weeks, FKA twigs – Twig’s album, LP1, is incredibly overrated. That said, promise shines through on tracks such as this one.
Violent Shiver, Benjamin Booker – Unrestrained blues rock that’ll have you bouncing off the walls.
Watch You Change, Drowners – I said it earlier this year, these rockers have one of my favorite lines of 2014: “There’s not a shoulder / cold enough for me / to give her.”
Welcome to America, Lacrae – Fight for your country and return, only to be targeted as a thug or gangster by the society you served. Welcome to America, indeed.
West Coast, Lana Del Rey – This and Brooklyn Baby drew me into Lana’s web.
On the bubble:Brand New, Pharrell feat. Justin Timberlake; Bring Me Your Loves, St. Vincent; Brooklyn Baby, Lana Del Rey; Chaghaybou, Tinariwen; Change My Ways, Tony Molina; Close Your Eyes (And Count to Fuck), Run the Jewels feat. Zach de la Rocha; Disco Shit, Cherub; D.R.E.A.M., Pharoahe Monch feat. Talib Kweli; Drown With the Monster, White Lung; Emerald Tuesday, Cibo Matto; Fall in Love, Phantogram; God & Nature, Loudon Wainwright III; I Don’t Wanna Go Home, Curtis Harding; I Wanna Be a Yank, Fucked Up; Jerk Ribs, Kelis; Lonely Sunday, Reignwolf; Longer Than You’ve Been Alive, Old ’97s; Lost Boys, Sir Michael Rocks feat. Mac Miller and Trinidad James; Never, The Roots feat. Patty Crash; Other Lovers, Devon Dubois; Owen, Frankie Cosmos; People Don’t Get What They Deserve, Sharon Jones & The Dap Kings; Porkpig, Logic; Riff Randall, Sleeping Bag; Rollercoaster, Bleachers; Sexy Socialite, Chromeo; Sgt. Pepper’s Lonely Hearts Club Band, The Flaming Lips feat. My Morning Jacket, Fever the Ghost and J. Mascis; Strut, Lenny Kravitz; … to the bars, Sterile Jets
Honorable mentions:Ain’t So Simple, Protomartyr; American Horror, Speedy Ortiz; Black and White, Parquet Courts; Blind Faze, TOPS; Blue Moon, Beck; Bobby Reid, Lucette; Can’t Break Me Down, Billy Idol; Cedar Lane, First Aid Kit; China, BRONCHO; Creepin’ Jenny, The Pack a.d.; Dog Bumped (Live), Tim Barry; Don’t Leave Me Dry, Spanish Gold; Faithless, Black Veil Brides; Frequencies, Katie Herzig; Ghost & Pains, Wildbirds & Peacedrums; Heady Ways, Fly Golden Eagle; Heavy Metal and Reflective, Azaelia Banks; I Am Me, Logic; I’ll Go To Sleep, BLUFFING; I’m Only Joking, Kongos; The Impasse, Hookworms; Interference Fits, Perfect Pussy; Just One Drink, Jack White; Life of Sin, Sturgill Simpson; Long Gone, The Ghost of a Saber Tooth Tiger; Looking for Something, Paolo Nutini; Lucy in the Sky With Diamonds, The Flaming Lips feat. Miley Cyrus and Moby; Magic, Mystery Skulls feat. Niles Rodgers and Brandy; Native Korean Rock, Karen O; Now Here In, Cloud Nothings; Parade of Choosers, Centro-Matic; Place Names, Cymbals Eat Guitars; Red Water, Diamond Youth; Run Rabbit Run, Black Pistol Fire; Runners, Lacrae; Sisters, Raveonettes; Slow Coming, Benjamin Booker; Sober, Childish Gambino; Soul Food, Big K.R.I.T feat. Rafael Saadiq; Summer Dress, July Talk; Supernova, Ray LaMontagne; Take Away These Early Grave Blues, Silver Mt. Zion Memorial Orchestra; Top Notch, Manchester Orchestra; Tongues, Joywave feat. KOPPS; Uno, Freddie Gibbs and Madlib; World Away, Tweedy
Avant Gardner, Courtney Barnett – Smart, jangley, singer-songwriter cut. It’s worth it just to hear her use “emphysema” as a verb.
Change My Ways, Tony Molina – If you’re into the whole brevity thing, as well as enjoying melodic punk, Tony Molina is your man.
China, BRONCHO – I’m guessing, but these guys probably own The Jesus and Mary Chain and My Bloody Valentine albums. Broody, distortion heavy rock.
Come Back Home, Trampled By Turtles – I love me some light-speed Turtles, and Come Back Home is that musical comfort food.
Don’t Mess With Me, Brody Dalle – The former Distillers frontwoman and wife of QOTSA chief Josh Homme unleashes a blast of mad girl rawk.
Doses & Mimosas, Cherub – A cheeky and hedonistic electro-funk, kiss-off, come-down jam that my brother mistook for an Andre 3000 joint. If pressed to pick my favorite song of 2014 so far, this would be in the running.
D.R.E.A.M., Pharoahe Monch feat. Talib Kweli – Hip-hop vets crank out a cut that, if you don’t bob your head when you listen to it, just proves you have no soul.
Eye to Eye, Lee Bains & The Expressions – This might be my favorite song of 2014. I think this because I keep periodically singing the chorus to myself as I go about my daily business.
High & Wild, Angel Olsen – A swirling haze of distorted guitars wrapped around Angel’s easy, unique voice. From one of my favorite albums of the year, Burn Your Fire.
I Don’t Want to Go Home, Curtis Harding – My one big regret about Forecastle Fest this year was not catching Harding, who has gallons of boogie to go with pounds of woogie.
I Just Don’t Understand, Spoon – The grooviest band of the past decade releases what will likely be remembered as one of their finest albums. I Just Don’t Understand is the tip of the aural iceberg.
I Wanna Be a Yank, Fucked Up – Sometimes, being punk as fuck is enough.
Indie Cindy, The Pixies – The title track of the Pixies latest album nails their classic sound, which just never gets old.
Just Another Bullet, Young Fathers – Some of the eeriest production since the Geto Boys’ Mind Playing Tricks on Me. The sound of organized madness.
Legs, Chuck Inglish feat. Chromeo – Sexy, cool and not nearly as misogynistic as Blurred Lines.
Like a Mighty River, St. Paul & The Broken Bones – A sweet, smooth slice of soul music.
Little Monster, Royal Blood – To steal from Ron Burgundy, Royal Blood is “the balls.” Melodic, heavy rock with plenty of brains to go with the cajones.
Lonely Sunday, Reignwolf – Speaking of the balls … My greatest hope for 2015 is a full-length from these metalheads. Until then, this will have to do.
Longer Than You’ve Been Alive, Old 97’s – The ballad of the rock band that’s been there, done that, and lived to tell the tale.
Lost Boys, Sir Michael Rocks feat. Mac Miller and Trinidad Jam – I’ve heard a lot of good production from underground hip-hop acts this year, and Sir Michael Rocks and crew benefit from this here. Lyrically, young hoodlums try to figure out how to grow up.
Love You Forever, Jenny Lewis – Aaah, Jenny’s back and all is well. Articulate, funny and heartfelt pop rock by one of my favorite lyricists.
Mama Said Be Careful Where You Lay Your Head, The Wind and the Wave – I don’t love the album, but there’s a few fine tracks on From the Wreckage. This is the standout.
My Resignation, Besserbitch – Dedicated to anyone who has walked off the job with a middle finger flying high. High-energy punk pop with plenty of “screw you” built into it.
People Don’t Get What They Deserve, Sharon Jones & The Dap Kings – The title says it all.
Raw Milk, Parquet Courts – These guys are growing on me … in a good way, not in a “I have this fungus I can’t get rid of” way. When I hear them, I think of a lot of good ’90’s bands: Pavement, Sonic Youth, Slint, etc.
Summer Dress, July Talk – Blues rock with a pop hook with a terrific one-two punch at lead singer.
Violent Shivers, Benjamin Booker – A track that falls somewhere between classic Chuck Berry and the Kings of Leon’s debut, Youth and Young Manhood. Unrestrained blues rock.
Watch You Change, Drowners – A Strokes-ian breakup song with one of my favorite lines of the year: “There’s not a shoulder cold enough for me to give her.”
Welcome to America, Lacrae – The perfect hip-hop track for the Michael Brown era, a look at what America is for those who can’t rely on white privelege.
Honorable mentions:27, Passenger; Ain’t So Simple, Protomartyr; American Horror, Speedy Ortiz; Black and White, Parquet Courts; Blue Moon, Beck; Bobby Reid, Lucette; Brand New, Pharrell feat. Justin Timberlake; Brooklyn Baby, Lana Del Rey; Cedar Lane, First Aid Kit; Chaghaybou, Tinariwen; Creepin’ Jenny, The Pack a.d.; Different Days, The Men; Dog Bumped (Live), Tim Barry; Don’t Leave Me Dry, Spanish Gold; Down With the Monster, White Lung; Emerald Tuesday, Cibo Matto; Fall In Love, Phantogram; Frequencies, Katie Herzig; The Ghost of a Sabertooth Tiger, The Coast; God & Nature, Loudon Wainwright III; Guns + Ammunition, July Talk; I’ll Go To Sleep, BLUFFING; I’m Only Joking, Kongos; Interference Fits, Perfect Pussy; Jerk Ribs, Kelis; Life of Sin, Sturgill Simpson; The Littlest League Possible, Guided By Voices; Lucy in the Sky With Diamonds, The Flaming Lips feat. Miley Cyrus and Moby; Native Korean Rock, Karen O; Never, The Roots feat. Patty Crash; Now Here In, Cloud Nothings; Other Lovers, Devan DuBois; Parade of Choosers, Centro-matic; Place Names, Cymbals Eat Guitars; Rollercoaster, Bleachers; Run Rabbit Run, Black Pistol Fire; Runners, Lacrae; Sexy Socialite, Chromeo; Sisters, The Raveonettes; Supernova, Ray LaMontagne; Take Away These Early Grave Blues, Silver Mt. Zion Memorial Orchestra; Tongues, Joywave feat. KOPPS; Top Notch, Manchester Orchestra; Uno, Freddie Gibbs and Madlib
Bad News, Sleeper Agent – “Who would want to stay in love with you?” Bitterness never sounded so sweet in this synth-heavy, power pop gem.
Cedar Lane, First Aid Kit – First encountered them through their last disc, The Lion’s Roar, the title track of which might be one of my favorite songs of the past 10 years. The new offering, Stay Gold, is nice, and Cedar Lane is the leader of the pack.
Disco Shit, Cherub – Lighter and more sugary than cotton candy, Disco Shit will challenge you to resist its funky lure.
Don’t Leave Me Dry, Spanish Gold – These throwback rockers deliver the low-key funk.
D.R.E.A.M., Pharoahe Monch feat. Talib Kweli – Two silver-tongued devils rock the mic.
Eye to Eye, Lee Fields & The Expressions – Old school soul, done with sincerity.
Fall in Love, Phantogram – There’s a timelessness to this track, making Fall in Love feel like it would be comfortable among New Wave chart toppers of the 1980s or in coffee houses in 2040.
Guns + Ammunition, July Talk – Picture Nic Cave dueting with Tonya Donnelly in a cocky rock combo.
High & Wild, Angel Wilson – A little bit of Hope Sandoval and Nico in this jangly, ethereal singer-songwriter track.
Indie Cindy, Pixies – A mix of distorted guitars and sweet melodies. Sounds like they never were apart.
Just Another Bullet, Young Fathers – Mesmerizing and unique, Young Fathers drop an impossible to shake track that you’ll be thinking about long after the song ends.
Legs, Chuck Inglish feat. Chromeo – A Cool Kid and the funky Chromeo meld wonderfully in this jam.
Like a Mighty River, St. Paul & The Broken Bones – Had the opportunity to see these guys live in May, and the blew me away. An amazing, ass-shakin’ set.
Littlest League Possible, Guided By Voices – Short, sweet, distorted, catchy. GBV’s career summed up in one song.
Little Monster, Royal Blood – Heavy, melodic rock.
Longer Than You’ve Been Alive, Old 97’s – Fun, grouchy and loud, like a good rock ‘n’ roll road song should be.
My Resignation, Besserbitch – Bratty, brash and loud, Besserbitch delivers a crunchy pop punk anthem.
People Don’t Get What They Deserve, Sharon Jones & The Dap Kings – Sharon’s not wrong, and she sounds even better saying with the Dap Kings in full force behind her.
Sexy Socialite, Chromeo – This cut has some old, skanky, slick Prince-like moments.
Take Away These Early Grave Blues, The Silver Mt. Zion Memorial Orchestra – Much like Sonic Youth or Akron Family, these guys stretch the boundaries of rock.
Watch You Change, Drowners – “There’s no shoulder cold enough for me.” Breakup song angst done well.
Honorable mention:27, Passenger; Ain’t So Simple, Protomartyr; American Horror, Speedy Ortiz; Avant Gardener, Courtney Barnett; Blue Moon, Beck; Brand New, Pharrell Williams feat. Justin Timberlake; Canal, RATKING; Chaghaybou, Tinariwen; Different Days, The Men; Dog Bumped, Timmy Barry; Don’t Mess With Me, Brody Dalle; Easy Street, Pete Molinari feat. Barrie Cadogan; Emerald Tuesday, Cibo Matto; Hold On, The Kooks; Interference Fits, Perfect Pussy; I Wanna Be a Yank, Fucked Up; Jerk Ribs, Kelis; Lucy in the Sky With Diamonds, The Flaming Lips feat. Miley Cyrus and Moby; Never, The Roots feat. Patty Crash; Nights on the Strand, Battleme; Raw Milk, Parquet Courts; Red Water, Diamond Youth; Rollercoaster, Bleachers; Supernova, Ray LaMontagne; Tongues, Joywave and KOPPS; Top Notch, Manchester Orchestra; Uno, Freddie Gibbs and Madlib; We Dare Defend Our Rights, Lee Bains III & The Glory Fire; Work Song, Hozier
My favorite cuts from 2014 (check out my favorite albums here).
American Horror, Speedy Ortiz – I was first attracted to them because they sounded a bit like The Breeders. I’m now attracted to them because they don’t sound much like The Breeders. Growth is good.
Bad News, Sleeper Agent – “I just want to stay in love with you” is the bad news. The good news is that you’ll be singing along with this glammy, pop gem by the time you hit the last chorus.
Blue Moon, Beck – The best tune from one of Beck’s most milquetoast albums.
Brand New, Pharrell Williams feat. Justin Timberlake – A natural pairing. A funky track.
Can’t Be Broken, Twin Forks – A mellow, rootsy song.
Change My Ways, Tony Molina – Molina gets his Rivers Cuomo on during this brief, melodic punk cut.
Cut the Grass, Cheatahs – Let it all disintegrate, then bring it back together.
Different Days, The Men – I like 2012’s Open Your Heart better than the disc Tomorrow’s Hits is from. That said, The Men still craft solid rock tunes, and this is one of them.
Fall In Love, Phantogram – Phantogram reminds me some of Portishead, although a bit more accessible to the average listener.
Grandma Looks, Desert Noises – A fun, buzzy, high-energy rock tune.
High & Wild, Angel Olsen – This song sounds like it could have landed on Mazzy Star’s So Tonight That I Might See or The Velvet Underground & Nico.
I’m Only Joking, KONGOS – If I said throbbing bass and atmospheric vocals, you’re probably thinking of some sort of EDM. Instead, the KONGOS build a strong rock track around those elements.
Just Another Bullet, Young Fathers – Lyrically solid and interesting stylistically, this song is put over the top by the oft mesmerizing and occasionally bizarre production.
Legs, Chuck Inglish feat. Chromeo – My favorite song out of all of my favorite songs of 2014. It’s got a Pharrell-meets-early-1980s-Prince-and-the-Revolution vibe to it. Too cool for school.
Like a Mighty River, St. Paul & The Broken Bones – A strong, natural, easy soul track.
Little Monster, Royal Blood – Melodic voices and loud, distorted guitars don’t always work together. Royal Blood has no such issues.
My Resignation, Besserbitch – A scream-along, pop-punk sliver of defiant fun.
Nights on the Strand and We Get Out, Battleme – These rockers work the loud-quiet-loud formula with some serious mastery.
Now Hear In, Cloud Nothings – Here and Nowhere Else would’ve made my first quarter fave albums list if it had been released a week earlier. I still get to sneak them in here.
People Don’t Get What They Deserve, Sharon Jones & The Dap Kings – Sharon states the obvious in this track that harkens back to Motown Era socially conscious soul.
Red Water, Diamond Youth – A lost Foo Fighters track, with less personality and more interesting musicianship.
Richard Ramirez Died Today of Natural Causes, Sun Kil Moon – A dark, brooding and creepy stream-of-consciousness acoustic track that might just make you shiver.
Take Away These Early Grave Blues, Thee Silver Mt. Zion Memorial Orchestra – Be loud, be bold, be listening to these guys. Fuck Off Get Free We Pour Light On Everything is an album to be cherished.
Tongues, Joywave feat. KOPPS – This is the direction I always thought/hoped the Killers would go: A bit more mix of the electronic and live instruments, a bit dancier but with a rock and roll base.
Uno, Freddie Gibbs & Madlib – Freddie and Madlib drop easy, smart rhymes over production that really elevates the collaboration.
Watch You Change, The Drowners – “There’s not a shoulder / cold enough for me / to give her.” Maybe my favorite lyric of the year to date.
Work Song, Hozier – Love conquers death in this slow burning acoustic track. The percussion really is a perfect touch, and fading to just that toward the end is the cherry on top.
Honorable mention: A Bird Is Not a Feather, Roseanne Cash; Blackland Farmer, Hard Working Americans; Digital Witness, St. Vincent; Gangsta, Schoolboy Q; Husdonsville, MI 1956, La Dispute; Interference Fits, Perfect Pussy; Likely To Use Something, The Belle Brigade; Lorena, Sleeper Agent; Make You Mine, Black Lips; Perfect Storm, The Strypes; Recess, Skrillex; Stayin’ Alive, Les Claypool’s Duo De Twang; Throw Your Hands Up, The So So Glos; Wool, Big Ups;
Adam Laredo's spot 