Tag Archives: Best of 2014

To hell and back for fame

Sarah finds out that stardom isn't all it's cracked up to be in 'Starry Eyes.'

Sarah finds out that stardom isn’t all it’s cracked up to be in ‘Starry Eyes.’

I wonder if writers/directors Kevin Kolsch and Dennis Widmyer pitched Starry Eyes as Rosemary’s Baby meets Mean Girls?

Sarah (Alexandra Essoe) is a struggling actress and waitress – at the demeaning Hooters’ clone Big Taters – running from audition to audition between paying the bills, getting no love from the casting directors and producers she bears her soul for on a regular basis. One particularly demeaning audition – where she is asked to freak out in front of the casting people like she did somewhat privately in the bathroom minutes earlier – results in a call back and the possibility of a roll that will make her a name in Hollywood. But there are some serious strings attached, and meek, sweet Sarah doesn’t seem like she’d be willing to sell her soul for fame. Or would she?

Meanwhile, Sarah finds no peace at home, either. The young filmmakers and actresses she shares her time with mostly seem intent on showing up each other and mocking the failures of their friends. One gorgeous, engaging actress pal in particular, Erin, seems to be able to jab Sarah where it hurts the most, sharply stabbing her insecurities about her own abilities and natural beauty amid the surgically enhanced plastics of the L.A. scene. While Sarah leans on them for support, she sort of resides on the edges of the group and doesn’t quite fit in.

This mix all becomes volatile when Sarah finally surrenders to the fame machine, going down on a producer who she believes will make her a star for sexually servicing him. Sarah has sealed the deal, but it’s not quite the deal she thought it would be, which she finds out about the time she starts bleeding everywhere and vomiting up worms.

Essoe’s performance is make or break, and she kills it. She pulls off the insecurity of a young woman who was probably the shining star of her high school in Butte, Montana, who has come to L.A. only to find out there’s a million girls like her, and they all are vying for the same parts she is. And when the script flips and Sarah is no longer passively wandering the filmmaking landscape, taking her fate in her own hands, Essoe is convincing and disturbing.

Kolsch and Widmyer craft a film that is simultaneously surprising and not. Sarah doesn’t seem like her friends, young up-and-comers who seem like they’d all sell out in a heartbeat if the opportunity came. The duo set a deliberate pace and make the seduction of Sarah so subtle at times that you almost don’t believe it’s happening. The ending has an air of inevitability to it, but that’s because this isn’t The Sixth Sense, relying on a twist to sell the proceedings. Starry Eyes is more of a horror character study, watching the de-evolution of a young woman being pounded into sausage in the Hollywood grinder.

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Favorite 40 songs of 2014

27, Passenger – A 27-year-old takes stock of his life. Witty, intelligent and occasionally sad.

1,000 Deaths, D’Angelo – D’Angelo emerges from his hibernation to drop one of the more interesting discs of 2014. Welcome back.

Avant Gardner, Courtney Barnett – Stream-of-consciousness psychedelic folk. Plus Barnett uses “emphysema” as a verb.

Bad News, Sleeper Agent – Love him or hate him? To be decided …

Blinded, The Bots – Not sure either of these brothers is old enough to drink. They are, however, old enough to kick musical ass.

Come Back Home, Trampled By Turtles – Amp the speed up to ludicrous and belt out top-notch bluegrass tunes. Repeat as necessary.

Dat Sound Good, PRhyme feat. Ab-Soul and Mac Miller – DJ Premier always sound good. Here, teamed up with Royce da 5’9″ and guests Ab-Soul and Mac Miller, the track rolls as the rhymers raise their game to keep up.

Dead Man’s Tetris, Flying Lotus feat. Captain Murphy and Snoop Dogg – I love it when hip-hop experiments. The production is unique and other-worldly, and Snoop lends the most familiar voice in the rap game to ground the track.

Don’t Mess With Me, Brody Dalle – Mrs. Josh Homme cranks out no-nonsense, ballsy rock.

Doses & Mimosas, Cherub – Probably my favorite song of 2014, and definitely not in my wheelhouse. A hedonistic, electro-funk disco kiss off that may be one of the catchiest songs I’ve ever heard.

Eye to Eye, Lee Bains & The Expressions – Soul music, done right.

FUNKNROLL, Prince – Ah, funky Prince sticks his head up again. Feels so damn good.

Guns + Ammunition, July Talk – I keep going back and forth on this one or Summer Dress. These Canadians are responsible for one of the best live shows I witnessed in 2014. Can’t wait to see them again.

High & Wild, Angel Olsen – A swirling haze of distorted guitars wrapped around Angel’s stoned, vulnerable voice.

I Just Don’t Understand, Spoon – Spoon’s always known how to ride a groove, but they upped their songwriting game on 2014’s They Want My Soul.

Indie Cindy, The Pixies – Classic Pixie sound, new Pixie song.

Jolly Fucker, Sleaford Mods – These guys land somewhere between iconoclastic Sex Pistols and Brit hip-hop star The Streets, a mix of UK punk attitude and stoner rap.

Just Another Bullet, Young Fathers – I’m not sure you can really go wrong with anything from Dead, but Just Another Bullet has some of the most interesting production I heard in the past year.

Legs, Chuck Inglish feat. Chromeo – A former Cool Kid teams up with the latest neo-funk stars for a track that should have been banging out of every third car over the course of the summer of 2014.

Like a Mighty River, St. Paul & The Broken Bones – Soul music, effortless and classic.

Little Monster, Royal Blood – Just a bass player and a drummer cranking out thick, deep, melodic metal.

Littlest League Possible, Guided By Voices – So GBV imploded in 2014? Bob Pollard will likely be back with seventy-two albums in 2015, so you won’t get much of a chance to miss the genius of this Midwestern songwriter.

Love You Forever, Jenny Lewis – If only Jenny’s output was at a rate closer to that of Bob Pollard and Guided by Voices. But you won’t hear me complaining about the final product.

Madness, King Tuff – If this was 1983, I’d be calling this “rad.” I’ll stick with that.

The Map, Parkay Quarts – Parquet Courts’ alter ego dropped this little nugget of madness late in the year.

Means to be a Woman, Brother O’ Brother – Bluesy Indiana rock of the highest order.

My Mama Said Be Careful Where You Lay Your Head, The Wind and the Wave – This is one of those songs where the first time you hear it, you’ll be singing along by the second chorus. And by that point, you’ll have already been stomping your feet and clapping your hands through the verses.

My Resignation, Besserbitch – A chewy nugget of punk-pop rage.

New American Standard, Wussy – Sometimes, nice and easy works. This stripped-down rock cut exemplifies that.

Not the End of the World (Even as We Know It), Faded Paper Figures – “Yeah / It’s hard / But it’s not the end of the world / Not even as we know it.”

Oblivious, Jessica Lee Mayfield – Hints of Mazzy Star and Sleater-Kinney. I just love the guitar sound.

Question Everything, Logic – Quit listening to the lies and bullshit and see the truth. #logicforpresident

Raw Milk, Parquet Courts – When I hear Parquet Courts, I think of a lot of good 1990’s bands: Pavement, Sonic Youth, Slint, etc. Courts manage to reflect those influences while crafting their own sound.

Talk to God, Goat – It’s interesting and a bit hypnotic, rock grounded in folk tradition.

Two Weeks, FKA twigs – Twig’s album, LP1, is incredibly overrated. That said, promise shines through on tracks such as this one.

Violent Shiver, Benjamin Booker – Unrestrained blues rock that’ll have you bouncing off the walls.

Watch You Change, Drowners – I said it earlier this year, these rockers have one of my favorite lines of 2014: “There’s not a shoulder / cold enough for me / to give her.”

Welcome to America, Lacrae – Fight for your country and return, only to be targeted as a thug or gangster by the society you served. Welcome to America, indeed.

West Coast, Lana Del Rey – This and Brooklyn Baby drew me into Lana’s web.

On the bubble: Brand New, Pharrell feat. Justin Timberlake; Bring Me Your Loves, St. Vincent; Brooklyn Baby, Lana Del Rey; Chaghaybou, Tinariwen; Change My Ways, Tony Molina; Close Your Eyes (And Count to Fuck), Run the Jewels feat. Zach de la Rocha; Disco Shit, Cherub; D.R.E.A.M., Pharoahe Monch feat. Talib Kweli; Drown With the Monster, White Lung; Emerald Tuesday, Cibo Matto; Fall in Love, Phantogram; God & Nature, Loudon Wainwright III; I Don’t Wanna Go Home, Curtis Harding; I Wanna Be a Yank, Fucked Up; Jerk Ribs, Kelis; Lonely Sunday, Reignwolf; Longer Than You’ve Been Alive, Old ’97s; Lost Boys, Sir Michael Rocks feat. Mac Miller and Trinidad James; Never, The Roots feat. Patty Crash; Other Lovers, Devon Dubois; Owen, Frankie Cosmos; People Don’t Get What They Deserve, Sharon Jones & The Dap Kings; Porkpig, Logic; Riff Randall, Sleeping Bag; Rollercoaster, Bleachers; Sexy Socialite, Chromeo; Sgt. Pepper’s Lonely Hearts Club Band, The Flaming Lips feat. My Morning Jacket, Fever the Ghost and J. Mascis; Strut, Lenny Kravitz; … to the bars, Sterile Jets

Honorable mentions: Ain’t So Simple, Protomartyr; American Horror, Speedy Ortiz; Black and White, Parquet Courts; Blind Faze, TOPS; Blue Moon, Beck; Bobby Reid, Lucette; Can’t Break Me Down, Billy Idol; Cedar Lane, First Aid Kit; China, BRONCHO; Creepin’ Jenny, The Pack a.d.; Dog Bumped (Live), Tim Barry; Don’t Leave Me Dry, Spanish Gold; Faithless, Black Veil Brides; Frequencies, Katie Herzig; Ghost & Pains, Wildbirds & Peacedrums; Heady Ways, Fly Golden Eagle; Heavy Metal and Reflective, Azaelia Banks; I Am Me, Logic; I’ll Go To Sleep, BLUFFING; I’m Only Joking, Kongos; The Impasse, Hookworms; Interference Fits, Perfect Pussy; Just One Drink, Jack White; Life of Sin, Sturgill Simpson; Long Gone, The Ghost of a Saber Tooth Tiger; Looking for Something, Paolo Nutini; Lucy in the Sky With Diamonds, The Flaming Lips feat. Miley Cyrus and Moby; Magic, Mystery Skulls feat. Niles Rodgers and Brandy; Native Korean Rock, Karen O; Now Here In, Cloud Nothings; Parade of Choosers, Centro-Matic; Place Names, Cymbals Eat Guitars; Red Water, Diamond Youth; Run Rabbit Run, Black Pistol Fire; Runners, Lacrae; Sisters, Raveonettes; Slow Coming, Benjamin Booker; Sober, Childish Gambino; Soul Food, Big K.R.I.T feat. Rafael Saadiq; Summer Dress, July Talk; Supernova, Ray LaMontagne; Take Away These Early Grave Blues, Silver Mt. Zion Memorial Orchestra; Top Notch, Manchester Orchestra; Tongues, Joywave feat. KOPPS; Uno, Freddie Gibbs and Madlib; World Away, Tweedy

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Favorite 10 albums of 2014

Benjamin Booker, Benjamin Booker – Maybe my favorite album of 2014. I wrote before that Booker is “somewhere between the Black Keys and the Black Crowes.” I still think it’s a fair assessment.

Curtis Harding, Soul Power – Today’s R&B so frequently sounds way too clean or way too dirty. Soul Power keeps a fresh, live sound throughout.

July Talk, Guns + Ammunition – A great one-two, male-female vocal combination. Saw them live in October, and I was blown away by their stage presence.

Jenny Lewis, VoyagerVoyager is a departure from the country-tinged solo albums preceding it. It’s Lewis’s lyrics that keep me coming back for more.

Parkay Quarts, Content Nauseau – Parquet Courts’ second release of 2014 was another impressive entry into their short catalogue.

Perfect Pussy, Say Yes to Love – Hard, heavy and awesome. I can’t wait for more from PP.

Pixies, Indie Cindy – It’s Frank Black’s band now, and it works. Not a classic, but better than 95% of the new releases from old bands getting back together.

Royal Blood, Royal Blood – The Lord said there shall be metal. And there was.

Thee Silver Mt. Zion Memorial Orchestra, Fuck Off Get Free We Pour Light on Everything – It’s not easy, and it’s not catchy. But it is awesome.

St. Paul & The Broken Bones, Half the CityHalf the City recreates that classic Stax/Muscle Shoals sound, and St. Paul and Co. do it well. They also put on a show on the live stage.

On the bubble: Courtney Barnett, The Double EP: A Sea of Split Peas; King Tuff, Black Moon Spell; Lacrae, Anomaly; Tony Molina, Dissed & Dismissed; Parquet Courts, Sunbathing Animal; Spoon, They Want My Soul; Jack White, Lazaretto; Angel Wilson, Burn Your Fire For No Witness

Honorable mention: Cherub, Year of the Caprese; Lana Del Rey, Ultraviolence; First Aid Kit, Stay Gold; Guided By Voices, Motivational Jumpsuit; Kelis, Food; Logic, Spectator; Pharoahe Monch, PTSD – Post-Traumatic Stress Disorder; Pete Molinari, Theosophy; PRhyme, PRhyme; Run the Jewels, Run the Jewels 2; Sharon Jones & The Dap Kings, Give the People What They Want; Spanish Gold, South of Nowhere; St. Vincent, St. Vincent; Trampled By Turtles, Wild Animals; Tweedy, Sukierae; Young Fathers, Dead

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Favorite albums of 2014, so far

My favorite albums through the first six months of 2014.

Fuck Off Get Free We Pour Light on Everything, Thee Silver Mt. Zion Memorial Orchestra – I love it when a band manages to mix chaotic musical departures with strong song-writing, a la the Mars Volta. Thee Silver Mt. Zion Memorial Orchestra has that ability, creating complex sonic pastiche while just barely clinging to traditional rock structure.

Guns + Ammunition, July Talk – In my songs list, I said the dueling vocals of Peter Dreimanis and Leah Fay sounded a bit like Nick Cave and Tonya Donnelly. Musically, this one-two singer punch helps give July Talk an interesting edge.

Half the City, St. Paul & The Broken Bones – These southern boys aren’t reinventing the wheel here. This is old school, big band soul, plain and simple. But the thing about that old school, big band soul sound is that, when done well, it’s impossible not to listen. Paul Janeway and his crew display power and deftness on their debut.

Indie Cindy, Pixies – It’s not strange that the Pixies are on this list. Indie Cindy is the outlier among rock albums from bands who broke up for an extended period of time then got back together to record in that it doesn’t completely suck (see the Fleetwood Mac catalogue, anything after Stevie Nicks’ initial run with the band). What is strange is that the Pixies, indie underground darlings of the late 1980s and early 1990s, are easily the most recognizable band on my list.

Out of the Black, Royal Blood – If you like Queens of the Stone Age, give these fellas a shot. Thick, heavy guitars and active drumming drive Royal Blood’s sound, and singer Mike Kerr provides strong, melodic vocals to play against the wall of sound.

Say Yes to Love, Perfect PussySay Yes to Love makes beautiful noise, from the opening track Driver – a full-throated roar over music that is constantly spilling from melody to chaos – to points deep in the disc, such as the schizophrenic vocals and slow, quiet fade out of Interference Fits. Sublime punk rock.

South of Nowhere, Spanish Gold – Southern rock, reggae, psychedelic rock, blues … Spanish Gold touches a bit of everything, committing only to make the best album they possibly can.

Sunbathing Animal, Parquet Courts – I think of Pavement and 1980s skate punk quite a bit while listening to Sunbathing Animal. That’s a good thing. Parquet Courts use some conventional punk and garage rock song structure, but tend to throw the occasional feedback solo or wall of noise in spaces where the average fan probably isn’t used to hearing them.

Honorable mentions: Burn Your Fire For No Witness, Angel Olsen; The Double EP: A Sea of Split Peas, Courtney BarnettGirl, Pharrell Williams; Give the People What They Want, Sharon Jones & The Dap Kings; Stay Gold, First Aid Kit; Standing By Your Side, Lee Fields & The Expressions; Theosophy, Pete Molinari; To Be Kind, Swans

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Favorite songs of 2014, so far

Bad News, Sleeper Agent – “Who would want to stay in love with you?” Bitterness never sounded so sweet in this synth-heavy, power pop gem.

Cedar Lane, First Aid Kit – First encountered them through their last disc, The Lion’s Roar, the title track of which might be one of my favorite songs of the past 10 years. The new offering, Stay Gold, is nice, and Cedar Lane is the leader of the pack.

Disco Shit, Cherub – Lighter and more sugary than cotton candy, Disco Shit will challenge you to resist its funky lure.

Don’t Leave Me Dry, Spanish Gold – These throwback rockers deliver the low-key funk.

D.R.E.A.M., Pharoahe Monch feat. Talib Kweli – Two silver-tongued devils rock the mic.

Eye to Eye, Lee Fields & The Expressions – Old school soul, done with sincerity.

Fall in Love, Phantogram – There’s a timelessness to this track, making Fall in Love feel like it would be comfortable among New Wave chart toppers of the 1980s or in coffee houses in 2040.

Guns + Ammunition, July Talk – Picture Nic Cave dueting with Tonya Donnelly in a cocky rock combo.

High & Wild, Angel Wilson – A little bit of Hope Sandoval and Nico in this jangly, ethereal singer-songwriter track.

Indie Cindy, Pixies – A mix of distorted guitars and sweet melodies. Sounds like they never were apart.

Just Another Bullet, Young Fathers – Mesmerizing and unique, Young Fathers drop an impossible to shake track that you’ll be thinking about long after the song ends.

Legs, Chuck Inglish feat. Chromeo – A Cool Kid and the funky Chromeo meld wonderfully in this jam.

Like a Mighty River, St. Paul & The Broken Bones – Had the opportunity to see these guys live in May, and the blew me away. An amazing, ass-shakin’ set.

Littlest League Possible, Guided By Voices – Short, sweet, distorted, catchy. GBV’s career summed up in one song.

Little Monster, Royal Blood – Heavy, melodic rock.

Longer Than You’ve Been Alive, Old 97’s – Fun, grouchy and loud, like a good rock ‘n’ roll road song should be.

My Resignation, Besserbitch – Bratty, brash and loud, Besserbitch delivers a crunchy pop punk anthem.

People Don’t Get What They Deserve, Sharon Jones & The Dap Kings – Sharon’s not wrong, and she sounds even better saying with the Dap Kings in full force behind her.

Sexy Socialite, Chromeo – This cut has some old, skanky, slick Prince-like moments.

Take Away These Early Grave Blues, The Silver Mt. Zion Memorial Orchestra – Much like Sonic Youth or Akron Family, these guys stretch the boundaries of rock.

Watch You Change, Drowners – “There’s no shoulder cold enough for me.” Breakup song angst done well.

Honorable mention: 27, Passenger; Ain’t So Simple, Protomartyr; American Horror, Speedy Ortiz; Avant Gardener, Courtney Barnett; Blue Moon, Beck; Brand New, Pharrell Williams feat. Justin Timberlake; Canal, RATKING; Chaghaybou, Tinariwen; Different Days, The Men; Dog Bumped, Timmy Barry; Don’t Mess With Me, Brody Dalle; Easy Street, Pete Molinari feat. Barrie Cadogan; Emerald Tuesday, Cibo Matto; Hold On, The Kooks; Interference Fits, Perfect Pussy; I Wanna Be a Yank, Fucked Up; Jerk Ribs, Kelis; Lucy in the Sky With Diamonds, The Flaming Lips feat. Miley Cyrus and Moby; Never, The Roots feat. Patty Crash; Nights on the Strand, Battleme; Raw Milk, Parquet Courts; Red Water, Diamond Youth; Rollercoaster, Bleachers; Supernova, Ray LaMontagne; Tongues, Joywave and KOPPS; Top Notch, Manchester Orchestra; Uno, Freddie Gibbs and Madlib; We Dare Defend Our Rights, Lee Bains III & The Glory Fire; Work Song, Hozier

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Favorite songs of 2014, so far

My favorite cuts from 2014 (check out my favorite albums here).

American Horror, Speedy Ortiz – I was first attracted to them because they sounded a bit like The Breeders. I’m now attracted to them because they don’t sound much like The Breeders. Growth is good.

Bad News, Sleeper Agent – “I just want to stay in love with you” is the bad news. The good news is that you’ll be singing along with this glammy, pop gem by the time you hit the last chorus.

Blue Moon, Beck – The best tune from one of Beck’s most milquetoast albums.

Brand New, Pharrell Williams feat. Justin Timberlake – A natural pairing. A funky track.

Can’t Be Broken, Twin Forks – A mellow, rootsy song.

Change My Ways, Tony Molina – Molina gets his Rivers Cuomo on during this brief, melodic punk cut.

Cut the Grass, Cheatahs – Let it all disintegrate, then bring it back together.

Different Days, The Men – I like 2012’s Open Your Heart better than the disc Tomorrow’s Hits is from. That said, The Men still craft solid rock tunes, and this is one of them.

Fall In Love, Phantogram – Phantogram reminds me some of Portishead, although a bit more accessible to the average listener.

Grandma Looks, Desert Noises – A fun, buzzy, high-energy rock tune.

High & Wild, Angel Olsen – This song sounds like it could have landed on Mazzy Star’s So Tonight That I Might See or The Velvet Underground & Nico.

I’m Only Joking, KONGOS – If I said throbbing bass and atmospheric vocals, you’re probably thinking of some sort of EDM. Instead, the KONGOS build a strong rock track around those elements.

Just Another Bullet, Young Fathers – Lyrically solid and interesting stylistically, this song is put over the top by the oft mesmerizing and occasionally bizarre production.

Legs, Chuck Inglish feat. Chromeo – My favorite song out of all of my favorite songs of 2014. It’s got a Pharrell-meets-early-1980s-Prince-and-the-Revolution vibe to it. Too cool for school.

Like a Mighty River, St. Paul & The Broken Bones – A strong, natural, easy soul track.

Little Monster, Royal Blood – Melodic voices and loud, distorted guitars don’t always work together. Royal Blood has no such issues.

My Resignation, Besserbitch – A scream-along, pop-punk sliver of defiant fun.

Nights on the Strand and We Get Out, Battleme – These rockers work the loud-quiet-loud formula with some serious mastery.

Now Hear In, Cloud NothingsHere and Nowhere Else would’ve made my first quarter fave albums list if it had been released a week earlier. I still get to sneak them in here.

People Don’t Get What They Deserve, Sharon Jones & The Dap Kings – Sharon states the obvious in this track that harkens back to Motown Era socially conscious soul.

Red Water, Diamond Youth – A lost Foo Fighters track, with less personality and more interesting musicianship.

Richard Ramirez Died Today of Natural Causes, Sun Kil Moon – A dark, brooding and creepy stream-of-consciousness acoustic track that might just make you shiver.

Take Away These Early Grave Blues, Thee Silver Mt. Zion Memorial Orchestra – Be loud, be bold, be listening to these guys. Fuck Off Get Free We Pour Light On Everything is an album to be cherished.

Tongues, Joywave feat. KOPPS – This is the direction I always thought/hoped the Killers would go: A bit more mix of the electronic and live instruments, a bit dancier but with a rock and roll base.

Uno, Freddie Gibbs & Madlib – Freddie and Madlib drop easy, smart rhymes over production that really elevates the collaboration.

Watch You Change, The Drowners – “There’s not a shoulder / cold enough for me / to give her.” Maybe my favorite lyric of the year to date.

Work Song, Hozier – Love conquers death in this slow burning acoustic track. The percussion really is a perfect touch, and fading to just that toward the end is the cherry on top.

Honorable mention: A Bird Is Not a Feather, Roseanne Cash; Blackland Farmer, Hard Working Americans; Digital Witness, St. Vincent; Gangsta, Schoolboy Q; Husdonsville, MI 1956, La Dispute; Interference Fits, Perfect Pussy; Likely To Use Something, The Belle Brigade; Lorena, Sleeper Agent; Make You Mine, Black Lips; Perfect Storm, The Strypes; Recess, Skrillex; Stayin’ Alive, Les Claypool’s Duo De Twang; Throw Your Hands Up, The So So Glos; Wool, Big Ups;

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Favorite albums of 2014 … so far

My favorites full-length recordings from the first quarter of 2014. Drumroll please …

Fuck Off Get Free We Pour Light on Everything, Silver Mt. Zion – I’m sure a more sophisticated/pretentious reviewer would have some sort of post – “post-punk,” “post-rock,” etc. – to toss in here. Silver Mt. Zion rages in a unique way. The only touchstone I can offer is Sonic Youth, but it’s not a easy-to-connect relationship. Experience the wonderful noise for yourself.

Girl, Pharrell Williams – Pharrell is just so damn smooth. There’s not a soft track on here, although I don’t know that it has the type of blowout single (I’m not a Happy guy) that he’s often associated with.

Give the People What They Want, Sharon Jones & The Dap Kings – Being a good person doesn’t mean you’ll get ahead. Being a bad person doesn’t mean you’re doomed to live a horrible life. Now if we could just get the idiots in Washington, D.C., to appreciate the logic.

Half the City, St. Paul & the Broken Bones – Blue-eyed soul of the first order. These guys know how to get down. I’m seeing them live in May, and I couldn’t be looking forward to it more.

Out of the Black EP, Royal Blood – Is it too early for the second coming of Queens of the Stone Age? Loud, feedbacky stoner rock. Prepare to bang your head.

Say Yes to Love, Perfect Pussy – Frontwoman Meredith Graves and her three xy chromosome bandmates have made an album that would make Beavis scream “Yes! Yes! Fire! Fire!” Lean, full-throttle, hardcore punk rock.

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