Tag Archives: Tony Molina

Favorite 10 albums of 2014

Benjamin Booker, Benjamin Booker – Maybe my favorite album of 2014. I wrote before that Booker is “somewhere between the Black Keys and the Black Crowes.” I still think it’s a fair assessment.

Curtis Harding, Soul Power – Today’s R&B so frequently sounds way too clean or way too dirty. Soul Power keeps a fresh, live sound throughout.

July Talk, Guns + Ammunition – A great one-two, male-female vocal combination. Saw them live in October, and I was blown away by their stage presence.

Jenny Lewis, VoyagerVoyager is a departure from the country-tinged solo albums preceding it. It’s Lewis’s lyrics that keep me coming back for more.

Parkay Quarts, Content Nauseau – Parquet Courts’ second release of 2014 was another impressive entry into their short catalogue.

Perfect Pussy, Say Yes to Love – Hard, heavy and awesome. I can’t wait for more from PP.

Pixies, Indie Cindy – It’s Frank Black’s band now, and it works. Not a classic, but better than 95% of the new releases from old bands getting back together.

Royal Blood, Royal Blood – The Lord said there shall be metal. And there was.

Thee Silver Mt. Zion Memorial Orchestra, Fuck Off Get Free We Pour Light on Everything – It’s not easy, and it’s not catchy. But it is awesome.

St. Paul & The Broken Bones, Half the CityHalf the City recreates that classic Stax/Muscle Shoals sound, and St. Paul and Co. do it well. They also put on a show on the live stage.

On the bubble: Courtney Barnett, The Double EP: A Sea of Split Peas; King Tuff, Black Moon Spell; Lacrae, Anomaly; Tony Molina, Dissed & Dismissed; Parquet Courts, Sunbathing Animal; Spoon, They Want My Soul; Jack White, Lazaretto; Angel Wilson, Burn Your Fire For No Witness

Honorable mention: Cherub, Year of the Caprese; Lana Del Rey, Ultraviolence; First Aid Kit, Stay Gold; Guided By Voices, Motivational Jumpsuit; Kelis, Food; Logic, Spectator; Pharoahe Monch, PTSD – Post-Traumatic Stress Disorder; Pete Molinari, Theosophy; PRhyme, PRhyme; Run the Jewels, Run the Jewels 2; Sharon Jones & The Dap Kings, Give the People What They Want; Spanish Gold, South of Nowhere; St. Vincent, St. Vincent; Trampled By Turtles, Wild Animals; Tweedy, Sukierae; Young Fathers, Dead

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Fave songs from 2014, so far: The 3Q wrap-up

Avant Gardner, Courtney Barnett – Smart, jangley, singer-songwriter cut. It’s worth it just to hear her use “emphysema” as a verb.

Change My Ways, Tony Molina – If you’re into the whole brevity thing, as well as enjoying melodic punk, Tony Molina is your man.

China, BRONCHO – I’m guessing, but these guys probably own The Jesus and Mary Chain and My Bloody Valentine albums. Broody, distortion heavy rock.

Come Back Home, Trampled By Turtles – I love me some light-speed Turtles, and Come Back Home is that musical comfort food.

Don’t Mess With Me, Brody Dalle – The former Distillers frontwoman and wife of QOTSA chief Josh Homme unleashes a blast of mad girl rawk.

Doses & Mimosas, Cherub – A cheeky and hedonistic electro-funk, kiss-off, come-down jam that my brother mistook for an Andre 3000 joint. If pressed to pick my favorite song of 2014 so far, this would be in the running.

D.R.E.A.M., Pharoahe Monch feat. Talib Kweli – Hip-hop vets crank out a cut that, if you don’t bob your head when you listen to it, just proves you have no soul.

Eye to Eye, Lee Bains & The Expressions – This might be my favorite song of 2014. I think this because I keep periodically singing the chorus to myself as I go about my daily business.

High & Wild, Angel Olsen – A swirling haze of distorted guitars wrapped around Angel’s easy, unique voice. From one of my favorite albums of the year, Burn Your Fire.

I Don’t Want to Go Home, Curtis Harding – My one big regret about Forecastle Fest this year was not catching Harding, who has gallons of boogie to go with pounds of woogie.

I Just Don’t Understand, Spoon – The grooviest band of the past decade releases what will likely be remembered as one of their finest albums. I Just Don’t Understand is the tip of the aural iceberg.

I Wanna Be a Yank, Fucked Up – Sometimes, being punk as fuck is enough.

Indie Cindy, The Pixies – The title track of the Pixies latest album nails their classic sound, which just never gets old.

Just Another Bullet, Young Fathers – Some of the eeriest production since the Geto Boys’ Mind Playing Tricks on Me. The sound of organized madness.

Legs, Chuck Inglish feat. Chromeo – Sexy, cool and not nearly as misogynistic as Blurred Lines.

Like a Mighty River, St. Paul & The Broken Bones – A sweet, smooth slice of soul music.

Little Monster, Royal Blood – To steal from Ron Burgundy, Royal Blood is “the balls.” Melodic, heavy rock with plenty of brains to go with the cajones.

Lonely Sunday, Reignwolf – Speaking of the balls … My greatest hope for 2015 is a full-length from these metalheads. Until then, this will have to do.

Longer Than You’ve Been Alive, Old 97’s – The ballad of the rock band that’s been there, done that, and lived to tell the tale.

Lost Boys, Sir Michael Rocks feat. Mac Miller and Trinidad Jam – I’ve heard a lot of good production from underground hip-hop acts this year, and Sir Michael Rocks and crew benefit from this here. Lyrically, young hoodlums try to figure out how to grow up.

Love You Forever, Jenny Lewis – Aaah, Jenny’s back and all is well. Articulate, funny and heartfelt pop rock by one of my favorite lyricists.

Mama Said Be Careful Where You Lay Your Head, The Wind and the Wave – I don’t love the album, but there’s a few fine tracks on From the Wreckage. This is the standout.

My Resignation, Besserbitch – Dedicated to anyone who has walked off the job with a middle finger flying high. High-energy punk pop with plenty of “screw you” built into it.

People Don’t Get What They Deserve, Sharon Jones & The Dap Kings – The title says it all.

Raw Milk, Parquet Courts – These guys are growing on me … in a good way, not in a “I have this fungus I can’t get rid of” way. When I hear them, I think of a lot of good ’90’s bands: Pavement, Sonic Youth, Slint, etc.

Summer Dress, July Talk – Blues rock with a pop hook with a terrific one-two punch at lead singer.

Violent Shivers, Benjamin Booker – A track that falls somewhere between classic Chuck Berry and the Kings of Leon’s debut, Youth and Young Manhood. Unrestrained blues rock.

Watch You Change, Drowners – A Strokes-ian breakup song with one of my favorite lines of the year: “There’s not a shoulder cold enough for me to give her.”

Welcome to America, Lacrae – The perfect hip-hop track for the Michael Brown era, a look at what America is for those who can’t rely on white privelege.

Honorable mentions: 27, Passenger; Ain’t So Simple, Protomartyr; American Horror, Speedy Ortiz; Black and White, Parquet Courts; Blue Moon, Beck; Bobby Reid, Lucette; Brand New, Pharrell feat. Justin Timberlake; Brooklyn Baby, Lana Del Rey; Cedar Lane, First Aid Kit; Chaghaybou, Tinariwen; Creepin’ Jenny, The Pack a.d.; Different Days, The Men; Dog Bumped (Live), Tim Barry; Don’t Leave Me Dry, Spanish Gold; Down With the Monster, White Lung; Emerald Tuesday, Cibo Matto; Fall In Love, Phantogram; Frequencies, Katie Herzig; The Ghost of a Sabertooth Tiger, The Coast; God & Nature, Loudon Wainwright III; Guns + Ammunition, July Talk; I’ll Go To Sleep, BLUFFING; I’m Only Joking, Kongos; Interference Fits, Perfect Pussy; Jerk Ribs, Kelis; Life of Sin, Sturgill Simpson; The Littlest League Possible, Guided By Voices; Lucy in the Sky With Diamonds, The Flaming Lips feat. Miley Cyrus and Moby; Native Korean Rock, Karen O; Never, The Roots feat. Patty Crash; Now Here In, Cloud Nothings; Other Lovers, Devan DuBois; Parade of Choosers, Centro-matic; Place Names, Cymbals Eat Guitars; Rollercoaster, Bleachers; Run Rabbit Run, Black Pistol Fire; Runners, Lacrae; Sexy Socialite, Chromeo; Sisters, The Raveonettes; Supernova, Ray LaMontagne; Take Away These Early Grave Blues, Silver Mt. Zion Memorial Orchestra; Tongues, Joywave feat. KOPPS; Top Notch, Manchester Orchestra; Uno, Freddie Gibbs and Madlib

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Fave albums of 2014, so far: The 3Q wrap-up

Benjamin Booker, Benjamin Booker – A powerful burst of blues rock, somewhere between the Black Keys and the Black Crowes.

Curtis Harding, Soul Power – Today’s R&B so frequently sounds like it’s made in a hermetically sealed studio with computers. Soul Power is so warm because Harding and the band at times sound like they’re performing live, not just cranking out the same riffs over and over until they get handed to the geek with Pro Tools to be cleansed and assembled for distribution.

July Talk, Guns + Ammunition – I’ll be seeing this group open for Rural Alberta Advantage in October, and I’m really looking forward to it. The songwriting is strong, and the one-two, male-female vocal combination creates a unique sound.

Jenny Lewis, Voyager – Do I love it as much as Rabbit Fur Coat or Acid Tongue? No. Voyager loses the country sound for a poppier sheen. Regardless, Ms. Lewis is still one of the smartest and funniest lyricists around, and that elevates her latest effort.

Tony Molina, Dissed & Dismissed – If Rivers Cuomo cut the cute shtick and just made hook-driven punk pop, the album would sound like Dissed & Dismissed.

Perfect Pussy, Say Yes to Love – This is one of those albums where not only do I like the collection for what it is, but I’m also excited about the potential it teases.

Pixies, Indie Cindy – It’s rare that an old band gets back together and makes a quality album (The Rolling Stones, The Eagles, etc.). The Pixies defy that expectation with a disc that stands with their best.

Royal Blood, Royal Blood – When you think of two-piece rock outfits, the Black Keys and the White Stripes tend to come to mind. But this bass-drums combo is much more No One Knows than Ball and a Biscuit.

Thee Silver Mt. Zion Memorial Orchestra, Fuck Off Get Free We Pour Light on Everything – Prince once said, “Let’s get crazy.” Silver Mt. Zion took them up on that, making a sprawling, psychedelic punk album worthy of Sonic Youth.

St. Paul & The Broken Bones, Half the City – Another album that’s been on this list since the first quarter, Half the City is a well-made collection of Southern soul music. I can’t recommend these guys enough live.

Honorable mention: Cherub, Year of the Caprese; Courtney Barnett, The Double EP: A Sea of Split Peas; First Aid Kit, Stay Gold; Lana Del Ray, Ultraviolence; Guided By Voices, Motivational Jumpsuit; Lecrae, Anomaly; Parquet Courts, Sunbathing Animal; Pharoahe Monch, PTSD – Post-Traumatic Stress Disorder; Pete Molinari, Theosophy; Sharon Jones & The Dap Kings, Give the People What They Want; Spoon, They Want My Soul; Spanish Gold, South of Nowhere; Trampled By Turtles, Wild Animals; Tweedy, Sukierae; Angel Wilson, Burn Your Fire For No Witness

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Favorite songs of 2014, so far

My favorite cuts from 2014 (check out my favorite albums here).

American Horror, Speedy Ortiz – I was first attracted to them because they sounded a bit like The Breeders. I’m now attracted to them because they don’t sound much like The Breeders. Growth is good.

Bad News, Sleeper Agent – “I just want to stay in love with you” is the bad news. The good news is that you’ll be singing along with this glammy, pop gem by the time you hit the last chorus.

Blue Moon, Beck – The best tune from one of Beck’s most milquetoast albums.

Brand New, Pharrell Williams feat. Justin Timberlake – A natural pairing. A funky track.

Can’t Be Broken, Twin Forks – A mellow, rootsy song.

Change My Ways, Tony Molina – Molina gets his Rivers Cuomo on during this brief, melodic punk cut.

Cut the Grass, Cheatahs – Let it all disintegrate, then bring it back together.

Different Days, The Men – I like 2012’s Open Your Heart better than the disc Tomorrow’s Hits is from. That said, The Men still craft solid rock tunes, and this is one of them.

Fall In Love, Phantogram – Phantogram reminds me some of Portishead, although a bit more accessible to the average listener.

Grandma Looks, Desert Noises – A fun, buzzy, high-energy rock tune.

High & Wild, Angel Olsen – This song sounds like it could have landed on Mazzy Star’s So Tonight That I Might See or The Velvet Underground & Nico.

I’m Only Joking, KONGOS – If I said throbbing bass and atmospheric vocals, you’re probably thinking of some sort of EDM. Instead, the KONGOS build a strong rock track around those elements.

Just Another Bullet, Young Fathers – Lyrically solid and interesting stylistically, this song is put over the top by the oft mesmerizing and occasionally bizarre production.

Legs, Chuck Inglish feat. Chromeo – My favorite song out of all of my favorite songs of 2014. It’s got a Pharrell-meets-early-1980s-Prince-and-the-Revolution vibe to it. Too cool for school.

Like a Mighty River, St. Paul & The Broken Bones – A strong, natural, easy soul track.

Little Monster, Royal Blood – Melodic voices and loud, distorted guitars don’t always work together. Royal Blood has no such issues.

My Resignation, Besserbitch – A scream-along, pop-punk sliver of defiant fun.

Nights on the Strand and We Get Out, Battleme – These rockers work the loud-quiet-loud formula with some serious mastery.

Now Hear In, Cloud NothingsHere and Nowhere Else would’ve made my first quarter fave albums list if it had been released a week earlier. I still get to sneak them in here.

People Don’t Get What They Deserve, Sharon Jones & The Dap Kings – Sharon states the obvious in this track that harkens back to Motown Era socially conscious soul.

Red Water, Diamond Youth – A lost Foo Fighters track, with less personality and more interesting musicianship.

Richard Ramirez Died Today of Natural Causes, Sun Kil Moon – A dark, brooding and creepy stream-of-consciousness acoustic track that might just make you shiver.

Take Away These Early Grave Blues, Thee Silver Mt. Zion Memorial Orchestra – Be loud, be bold, be listening to these guys. Fuck Off Get Free We Pour Light On Everything is an album to be cherished.

Tongues, Joywave feat. KOPPS – This is the direction I always thought/hoped the Killers would go: A bit more mix of the electronic and live instruments, a bit dancier but with a rock and roll base.

Uno, Freddie Gibbs & Madlib – Freddie and Madlib drop easy, smart rhymes over production that really elevates the collaboration.

Watch You Change, The Drowners – “There’s not a shoulder / cold enough for me / to give her.” Maybe my favorite lyric of the year to date.

Work Song, Hozier – Love conquers death in this slow burning acoustic track. The percussion really is a perfect touch, and fading to just that toward the end is the cherry on top.

Honorable mention: A Bird Is Not a Feather, Roseanne Cash; Blackland Farmer, Hard Working Americans; Digital Witness, St. Vincent; Gangsta, Schoolboy Q; Husdonsville, MI 1956, La Dispute; Interference Fits, Perfect Pussy; Likely To Use Something, The Belle Brigade; Lorena, Sleeper Agent; Make You Mine, Black Lips; Perfect Storm, The Strypes; Recess, Skrillex; Stayin’ Alive, Les Claypool’s Duo De Twang; Throw Your Hands Up, The So So Glos; Wool, Big Ups;

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