Tag Archives: RiverRoots

7/22/16: Savages in Indianapolis

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Jehnny Beth, lead singer of Savages, takes a stroll across the Indianapolis crowd

MY SAVAGES CONCERT EXPERIENCE actually started in May, when I wore my Adore Life t-shirt to the RiverRoots music festival in Madison, IN. I was questioned by more than one person about who/what Savages were. Then a few days ago, at the last day of the Forecastle music festival in Louisville, it happened again when I sported my Savages shirt. Not only did I get questions, I was also stopped by one couple who had seen the quartet in Chicago and were raving about the experience.

And I, lover of all things Savages, have done my part to spread the word. I’ve rattled on about my fondness for them here and here, so I won’t say much beyond this: I just keep listening to this album, over and over and over again. It’s like when I was in high school and could barely wait for Side 1 of a cassette to end so I could flip it over and listen to Side 2 … as quickly as possible, of course, because I wanted to hear Side 1 again. It’s probably been more than a decade since I’ve been as into any album as I am Adore Life.

BUT HOW WAS THE SHOW, you ask? Dearest reader, would I have gone on and on about it if it were anything but awesome? It took a few songs for the crowd to get warmed up, but as you can see from my photo above, singer Jehnny Beth, guitarist Gemma Thompson, bassist Ayse Hassan and drummer Fay Milton soon owned the room, roaring and raging, crooning and crashing, taking everyone prisoner. Savages rocked it like they were playing in front of thousands in a festival crowd, not like they were performing for a few hundred in the smallest room in the house. From T.I.W.Y.G. and Adore off of the new album to the more obscure Fuckers, Savages played every song like it was their last.

I already can’t wait to see them again.

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RiverRoots 2016 lineup delivers

RiverRoots 2016 is the fourth straight year I’ve attended the festival, and I expect to be back next year. The music lineup is always solid, and there’s nothing like listening to bluegrass, country, soul, folk and more while drinking Indiana craft beer on the beautiful banks of the Ohio River.

Saturday’s lineup was solid. Asleep at the Wheel and Donna the Buffalo rocked like the vets that they are, and acts such as Parker Millsap, Jake Book, Blair Crimmins and the Hookers and Bridge 19 all put on good shows. Billy Strings stole the show, bringing heavy metal-like intensity and speed to their rootsy set.

But for me, it was a quartet of acts on Friday that brought down the house. Battling wet weather and playing to smaller crowds, these four elevated their games and made a fan out of me.

Darlingside – This quartet out of Boston was moved from the main stage to the second stage because of the rain. It turned out fortune was smiling upon them, because the River Stage gave the set an intimacy that wouldn’t have happened on the main stage. The above performance doesn’t quite do them justice, but it’s a pretty good example of what they have to offer. Think if Simon and Garfunkel fronted the Punch Brothers covering Avett Brothers songs.

Sarah Jarosz – In four years, I’ve never seen the River Stage so crowded. It wasn’t just standing room only; there really wasn’t even room left to stand. Her voice is as amazing live as it is on wax.

Lindi Ortega – Ortega’s old-school country sound, her band’s tight groove and her effortless stage presence are a unique combination. I’d like to see her at a smaller, indoor venue, because I think a crowded room might provide more energy for the band to feed off of, elevating the intensity a bit.

Brothers Comatose – I didn’t know they made bluegrass music in San Francisco, at least not after Jerry Garcia died. These fellas blazed out of the gate and never looked back, effortlessly mixing traditional music with moments like their Cake cover. I will see these West Coasters again, hopefully soon.

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RiverRoots 2015 festival delivers, again

The Gibson harp guitar. I had the privilige of seeing someone play one of these bad boys at River Roots.

The Gibson harp guitar. I had the privilege of seeing someone play one of these bad boys at River Roots.

* This is my third RiverRoots Festival. Despite the near constant rain Saturday through the early evening hours, me and mine enjoyed the experience again. Saw a lot of good performances from the likes of The Wood Brothers, The Duhks, Haunted Wind Chimes, The Tillers, SHEL, Scythian, Michael Kelsey and Michael Cleveland and the Flamekeeper (more on those last two in a second). And, of course, I enjoyed more than my fair share of Indiana craft beer.

* Michael Cleveland and Flamekeeper could have played another set as far as I’m concerned. Seamless, tight bluegrass is going to draw me in every time. Cleveland closed the show by himself, playing a quick fiddle solo. His bow work was flawless, and the song sounded pristine. I’ll be looking to see them again. And since they’re Hoosiers, I’m hoping they’ll be easy to find.

* Imagine Pink Floyd fronted by Ben Folds covering Prince. Kind of sounds like a disaster, right? But when it’s Michael Kelsey on vocals and guitar and his cellist, Tom (never caught the last name; he also played one of the harp guitars shown above), it’s freakin’ magic. Kelsey did all kinds of tricks and nimble fretwork, putting on a guitar clinic, but never got lost in the showiness, making it enjoyable for the audience while integrating his manic skills fully with whatever song he was playing. His cover of When the Doves Cry was both surprising – in that it was really damn good – and bold – that’s not a song you want to do poorly or assholes like me will call you on it. Like I said, this is my third visit to RiverRoots. This is the first time I’ve seen A) a crowd that big both in and around the smaller River Stage tent, and B) actually watched people leave to go grab their friends and drag them back to the tent to bear witness to an electrifying performance. Next time around, we need to see Mr. Kelsey on the big stage, please.

* My lone criticism … the RiverRoots website takes a humorous tone about the weather, noting that it’s always sunny and dry but it never hurts to be prepared for rain. And yet festival organizers somehow doesn’t think this preparation applies to the main stage. This is the second time in three years the main stage has had to stop because there’s nothing covering the performers in case of rain. This year, I was looking forward most to seeing folk singer Willie Watson, who was supposed to play on the main stage. When the rain came, the main stage was shut down, and Watson was moved to the second stage … which I found out about an hour after he finished. I never heard any announcement from the RiverRoots organizers – whether over the PA or via Twitter, which I monitored – instead being informed second-hand from someone else who had also missed Watson. However, if you just put up an awning or something, this interruption and confusion doesn’t have to happen. As my friend John noted, there’s probably 50 good old boys in the crowd who had the equipment with them to rig something up in half an hour and keep the show going. Hell, I’m not a good old boy or very handy, but I had a green plastic tarp with me that we could have added to the front of the stage to keep the music flowing. Time to take your own advice, RiverRoots: Hope for sun, and be ready for the rain.

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