Humanity of ‘Humans’ is what makes series work

Anita is a Synth fresh out of the box ... or is she?

Anita is a Synth fresh out of the box … or is she?

I wanted to like Humans more.

At the family level, it works so well. When we’re with the Hawkins clan and their human-like robotic caretaker, Anita, Humans is in top form. The five Hawkins work well together and form a believable, likable and flawed family. Anita’s insertion into the tense marital relationship of Joe and Laura, new “mom” for little Sophie, ideal female form for horny teen Toby and constant reminder that humans are becoming obsolete to the oldest Hawkins kid, Mattie, all make for incredibly well-acted and crafted scenes and explore what the introduction of synthetic humans would mean at the personal level for real humans. You get more touches of that with William Hurt’s Dr. George Millican, a once leading scientist in the Synth field now losing his memories, relying on his Synth and de facto son Odi to remind him of events from his and his wife’s life together. Another ripple is added when we meet Pete Drummond, a detective whose ailing wife is cared for by a Synth that makes him feel worthless as he simultaneously draws the loving attention of his partner, Karen. These three storylines nail┬áthe impact of human simulations being released in the real world. It’s a unique mix of awkward, horrifying and touching drama.

Had the first season mostly focused on that, it might have become my favorite show on television. The problem is the dramatic sci-fi storyline, that a handful of synths were created to have consciousness. Humans who already fear the impact of synths on unemployment and the world in general would now have to be concerned that they could be replaced entirely. This part of the story doesn’t flow as well and feels uncomfortable next to the more personal side of the tale. The ending of the first season was clearly also planned to be the ending of the series, just in case. Things get wrapped up a little too quickly and neatly.

Following in the wake of Ex Machina probably doesn’t help me appreciate Humans as much, either. Ex Machina was a taut, quickly paced and intense drama that delved into the impact of AI on our world. Humans is broader, sometimes for the better, other times not so much. Its pace is slower and occasionally uneven, with tension lacking when the danger should be felt most. Where Ex Machina was lean and furious, Humans is too often top heavy and overly earnest.

Will I return for a second season of Humans? Humans hasn’t blown me away like the AMC dramas Breaking Bad, The Walking Dead and Hell on Wheels did. I may do something I don’t usually do and read advance reviews of season two to get a sense of where Humans is going and then decide. Until then, I’m firmly in the maybe column.

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