RiverRoots 2015 festival delivers, again

The Gibson harp guitar. I had the privilige of seeing someone play one of these bad boys at River Roots.

The Gibson harp guitar. I had the privilege of seeing someone play one of these bad boys at River Roots.

* This is my third RiverRoots Festival. Despite the near constant rain Saturday through the early evening hours, me and mine enjoyed the experience again. Saw a lot of good performances from the likes of The Wood Brothers, The Duhks, Haunted Wind Chimes, The Tillers, SHEL, Scythian, Michael Kelsey and Michael Cleveland and the Flamekeeper (more on those last two in a second). And, of course, I enjoyed more than my fair share of Indiana craft beer.

* Michael Cleveland and Flamekeeper could have played another set as far as I’m concerned. Seamless, tight bluegrass is going to draw me in every time. Cleveland closed the show by himself, playing a quick fiddle solo. His bow work was flawless, and the song sounded pristine. I’ll be looking to see them again. And since they’re Hoosiers, I’m hoping they’ll be easy to find.

* Imagine Pink Floyd fronted by Ben Folds covering Prince. Kind of sounds like a disaster, right? But when it’s Michael Kelsey on vocals and guitar and his cellist, Tom (never caught the last name; he also played one of the harp guitars shown above), it’s freakin’ magic. Kelsey did all kinds of tricks and nimble fretwork, putting on a guitar clinic, but never got lost in the showiness, making it enjoyable for the audience while integrating his manic skills fully with whatever song he was playing. His cover of When the Doves Cry was both surprising – in that it was really damn good – and bold – that’s not a song you want to do poorly or assholes like me will call you on it. Like I said, this is my third visit to RiverRoots. This is the first time I’ve seen A) a crowd that big both in and around the smaller River Stage tent, and B) actually watched people leave to go grab their friends and drag them back to the tent to bear witness to an electrifying performance. Next time around, we need to see Mr. Kelsey on the big stage, please.

* My lone criticism … the RiverRoots website takes a humorous tone about the weather, noting that it’s always sunny and dry but it never hurts to be prepared for rain. And yet festival organizers somehow doesn’t think this preparation applies to the main stage. This is the second time in three years the main stage has had to stop because there’s nothing covering the performers in case of rain. This year, I was looking forward most to seeing folk singer Willie Watson, who was supposed to play on the main stage. When the rain came, the main stage was shut down, and Watson was moved to the second stage … which I found out about an hour after he finished. I never heard any announcement from the RiverRoots organizers – whether over the PA or via Twitter, which I monitored – instead being informed second-hand from someone else who had also missed Watson. However, if you just put up an awning or something, this interruption and confusion doesn’t have to happen. As my friend John noted, there’s probably 50 good old boys in the crowd who had the equipment with them to rig something up in half an hour and keep the show going. Hell, I’m not a good old boy or very handy, but I had a green plastic tarp with me that we could have added to the front of the stage to keep the music flowing. Time to take your own advice, RiverRoots: Hope for sun, and be ready for the rain.

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