‘100’ may be trying to get ‘Lost’

Grounded sky dwellers Clarke and Octavia, either running into trouble or running from it.

Grounded sky dwellers Clarke and Octavia, either running into trouble or running from it.

Spoilers ahead. You were warned.

I’ve been pretty impressed with the CW’s The 100. I started watching it with my (then) tween daughter, who is a big fan of all things Hunger Games, Divergent, etc. And while in its own post-apocalyptic way The 100 is part of that youth genre, the writers and other minds behind the show have done a nice job of establishing unique situations and strong characters. The three-way war between sky folk, grounders and the mountain people was masterful, a situation made more interesting by the personal relationships and political machinations that each side has tried to manipulate in their favor.

Clarke has become the most interesting character. Yes, she’s the lead, the daughter of the only doctor among the sky people, a conscience at times when the youthful, shrinking group of 100 needed her to be, particularly in the first season. But the second season has seen a dramatic change in her role. As she has ascended to leadership, she is the one who now must make the tough decisions. She can’t just stand on the sidelines and critique. Now, the blood is on her hands when things go wrong, when battles must be fought, when conflicts must be settled. The change becomes apparent at mid-season when her love interest, Finn, is surrendered for the mass murder of unarmed grounders. It is a political decision to hand him over. It smooths the path for unity between grounders and sky people, as well as their military alliance against the mountain folk. Finn will be tortured, slowly, in gruesome manners for his crime. Clarke approaches him, hugs him to say goodbye, then stabs him in the gut, sealing her bargain with the grounders with blood without allowing Finn’s death to be dragged out over days. It’s a hard call, but the mark of leadership.

I could go on and on about the positives regarding character development, factions and more. It’s all praise that is deserving. But I’m worried that the good times may be over, and that has paused my adoration.

At the end of season two, Jaha – who was the leader among the sky people while in space, but has become a Quixotic character in his search for civilization – has found what he believes to be is the fabled City of Light, of which we have heard a lot about, but not much of substance. Things are clean, solar-powered, food and drink are around. But Jaha finds a settler, a digital image of a human who we were warned might be the person who started the nukes flying that sent our plucky heroes’ ancestors to space in the first place. This digital being seems determined to start the radiation parade all over again. ostensibly with the help of Jaha.

There was something about it that just screamed … Lost. To this point, there’s been no mystical element to the proceedings. To be sure, there’s been plenty of weird to go around, but all explainable. But this moment that closed Season Two felt like the smoke monsters, talking to dead people, ancient temples, a plane full of carcasses on the bottom of the ocean. I sincerely hope that this will lead somewhere rewarding, don’t get me wrong.

But my Spidey Sense is tingling. And as we all know, that never ended well for Peter Parker.

To be continued …

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